Monday, February 6, 2023

Through a hot-mess biography, “Elvis” features a spectacular performance – HotAir

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Did the world need an Elvis Presley biopic? Maybe, but Baz Luhrmann’s Elvis fell short, in part because it felt more like a critique of “Colonel” Tom Parker, Presley’s manager. And pa,rtner than it did like a tribute to The King of Rock & Roll. The one real saving grace of this Graceland saga is Austin Butler’s outstanding portrayal of Presley throughout all of his life’s stages. This movie is well worth the price of a ticket because of butler’s, performance and the singing in some of the songs.

In some ways, moviegoers should be aware of what to expect from a Baz Luhrmann production in the first place. He is well known for his dreadful soundtracks and awful extras. A very nonsensical attempt was made in Moulin Rouge to combine Elton John’s discography with a narrative that essentially combined La Boheme, Hair. The bizarre The Dreamers, where Henri de Toulouse-Lautrec is reduced to a joke. In Luhrmann’s most recent major motion picture. Jay Gatsby spent the first half of the film bouncing around rap and hip-hop events until finally settling into a relatively logical and quite fascinating version of The Nice Gatsby.

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With frenzied rapid edits, time leaps, and bizarre graphics that regrettably appear at various points in the film. Luhrmann’s self-referential craziness is a little more restrained in Elvis, keeping the incoherence primarily to the first third of the movie. Sadly, that is so tedious that the rest of the movie eventually drags, especially in its final act where the unfortunate clichés of Elvis’slaterr life get played out slowly. And by no means with even the slightest hint of nuance or belief on the side of the audience.

** Delicate spoilers **

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For instance, it is now widely known that Parker used a usurious partnership agreement to control Elvis and exploit him. In the scene where Elvis makes his first appearance in Las Vegas, Parker is seen negotiating the deal on cocktail napkins that include text stating that if Elvis stayed on the Worldwide. Parker’s extensive playing debts would be forgiven and that Parker would receive limitless credit for his gambling habit. Then, this serviette reappears repeatedly to drive home the point that Parker was keeping the issue from Elvis. Baz, we got it the first time.

On a more basic level, Parker arranges for Elvis to enlist in the US Military to quell criticism of his on-stage antics. Elvis was conscripted in 1958, although the debate began in 1956, therefore not only does this conflict with reality. But the movie itself makes the anachronism clear by using newspaper headlines. Parker indeed took the draught discovery as a chance to change his approach, but the truth is far more complicated.

Would Butler, however, have received this caliber caliberrformance from another director? His portrayal is so excellent, so subtle, and so truly moving that it at least manages to fight. With Luhrmann’s worst impulses and Hanks’ one-note performance. And because of that, as well as DeJonge’s contribution. A wonderful nod to Memphis’ Beale Road R&B legacy, the trip is well worth it.

Elvis has a PG-13 rating for language and sexual suggestiveness. But it’s appropriate for young children if they’re interested in the subject. There’s nothing, particularly that people need to worry about… ironically, given the subject matter. They might get lost in the first third of the movie and never find their way back.

Butler’s performance is excellent, but if you want to learn more about the real Elvis Presley, watch Elvis Presley. The Searcher, a 2018 documentary that is currently showing on HBO Max. Although the two-part film is about three hours long. It is a great look back on Elvis as a person and as a genuine artist in his own right, a side that is missed in Luhrmann’s film.

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